Simon Poole has done an amazing job in capturing the 1920’s feel of Norwegian music with a soundtrack that will stay with me for a long time. Which is, simply put, close to perfection. In other words, a hefty portion of happenings and drama to grasp.įirst of all, I want to talk about the musical score in Draugen. And then there’s the mission to find missing Betty. A close relationship that has gone bad, and several disasters that have shaped Graavik for eternity. You discover the last months’ happenings in Graavik, and why you are yet to find someone. I will, however, try to give a short summary of what to expect. Not a single person is to be found, not even inside the massive farm, where Lissie and Teddy seek shelter from the incoming storm ( or summerlike weather as we call it in Norway ).Īs with a lot of other story-heavy games, Draugen is difficult to talk about without massive spoilers. Upon their arrival, it quickly becomes obvious that something has happened in Graavik. The journey to find Betty has taken our heroes across the pond, through Aalesund and now to the small village ( if it can even be called a village ) Graavik. Joining you on your journey is Edwards young ward, Lissie. You play as Edward Charles Harding, an American traveler, on a quest to find his missing sister Betty. What can he have in common with a Fjord Noir game from Red Thread Games? They’re both called Draugen, and they’re both very Norwegian, but do they have anything more in common? And more importantly, is the game as interesting as the old tale?Īs you might have understood by reading my reviews from earlier, I really enjoy a good story. Platforms: PC (PlayStation 4, Xbox One TBA 2019)Īcquired: A copy of this game was provided by a publisher for review purposeĭraugen, the old monster of a fisherman taken to the next life while out on the sea.
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